March 2006
Featured Landscape Professional:
Patrick Bones
English or Wild
By Bruce Curtis
(Photos courtesy of Patrick Bones, used with permission)
While certainly successful enough, Patrick Bones was just never
happy working in Corporate America where structure and convention
are as stiff as a starched white shirt.
"I found the people in the green industry to be much more
human and much more aware of enjoying what they are doing than
the people in the corporate world whose main emphasis was making
money and covering their (anatomy)."
If that gives you the impression that this landscape designer
is some sort of rebel, his English roots probably wouldn't permit
such an attitude toward convention, but that doesn't mean he can't
create some seriouly out of the box landscaped spaces. Of course,
Patrick's company, Brighton
Landscape in Tulsa, Oklahoma is a great place to start for
clients who yearn for that conventional, buttoned-down landscape
design in general, or classic English garden, in particular.
"I certainly admire the formal look of the English style,"
he admits, "but then again I really enjoy the cottage garden
look just as well. I think both forms are important and have their
place. One reason I think many people like the more natural look
is because they do not have to spend as much time caring for the
plants or having to pay someone else to do so."
So, even with a passion for clean, orderly landscapes, Bones
has no trouble keeping up the the current trend toward natural
landscape design trend.
"I am not at all bothered. What I usually do is create
a bit more formal look in the front of a home and then go crazy
in the backyard as far as being more natural or certainly informal."
He prefers designs that have a more natural feel and that's
led toward more randomness, curvilinear shapes and lines. "However,
in a contemporary design I really like sharp straight lines
and angles along with minimalist plantings."
Exiting corporate America, Patrick took classes in landscape
design, eventually receiving an associate degree, he became
a certified member of the Association of Professional Landscape
Designers. His company, Brighton Landscapes serves clients in
northeastern Oklahoma, an area labeled "Green Country"
for its many trees and lakes. He specializes in residential
landscape design, about 95% of his clientele and he uses professional
subcontractors to build his designs.
A quick visit to Bone's website, www.brightonlandscapes.com,
and potential clients immediately pick up on his penchant for
order and symmetry in design. His portfolio features traditional,
distinclyly formal landscapes with a decidedly eastern formality,
even though the look is scarce as hen's teeth out here in the
windswept Midwest. Once you're past the Missouri River, landscape
feel evolves toward more rustic and random senses, as if property
owners want newcomers to understand, 'this is the frontier, you're
leaving civilization behind.'
Actually, the edge of civilization breezed through Tulsa long
before any of us were born. Perhaps present day Midwesterners
shouldn't apologize for building homes with a more traditional,
dare we say, civilized landscape. Or, as Patrick Bones puts it,
traditional, clean, well organized and easy on the eyes. He's
had plenty of experience viewing Europe's best landscapes as president
of the international Association of Professional Landscape Designers,
(APLD).
"I do love structured beauty and I love to view sculptures
in garden settings. Symmetry and order come natural for me, it
is not forced." Bones admits it did take some years to force
himself to work asymmetrically vs. symmetrically, but he says
he now actually prefers asymmetry in landscape design.
Bones illustrates the point with a photo of the Southern England's
Eden-like Kew Gardens, known for exquisitely manicured lawns,
willows, colonial planters and tightly sculpted hedges.

Southern England's Kew Gardens
Sample some more Brighton projects and you'll find the Yang
to Patrick's Yin in projects. One, a Forest Park South residential
garden, features a perennial nook centered around a bubbling
rock water feature designed to attract birds and butterflies.
Bones has placed the garden within the frame formed by the client's
kitchen window, so she can enjoy the nature outside. Separating
the other "room" in this perennial garden is an island
planter bed defined by dry-stacked limestone. The bed features
shrubs and Oak Leaf Hydrangeas.
In another challenging project, Patrick tackles a common older-home
problem: what do you do with an aging swimming pool that has
become a money pit? His client had purchased and totally remodeled
an older home in a quiet midtown neighborhood. The pool had
been filled with earth and the other landscape had been removed.
Result: a great big bare area.
The solution: A large stone patio with an adjoining garden
bed. The layout took advantage of an existing Japanese Maple,
around which he planted Burning Bushes, Gold Mount Spirea and
Rudbekia in areas that received the most sun. Like his other
project, Bones used dry-stacked limestone to define this garden
bed's border. Three Bald Cypress trees shade a natural garden
defined by sandstone boulders, while moneywort is used for ground
cover. Spring color is added by ostrich ferns, variegated hostas
mass and newly planted dogwood trees.
So the difficulty is trying to discover what designs Brighton
Landscapes specializes in. That's easy, says Bone; it's making
people happy.
"I love to create landscapes and gardens that make people
smile; I had a female client once say to me that her husband worked
at a very stressful job and had never spent much time in the yard.
After my firm created a 1/4 acre perennial garden for them with
a shade garden, bench, water feature, etc. her husband would come
home from work, pour himself a glass of wine and walk out into
the garden and relax." That's the magic of any successful
landscape plan, most would agree. "He actually started spending
time in the garden and working in it and created a vegetable garden."
That's a definite success story for Bones and his firm but
there is more to the equation, and that's where Bones' Yang,
the nonconformist, steps up.
"I also like to entertain people with their gardens, I
like to do the unusual if at all possible. People need to have
fun in their gardens; why do it if it's not fun?" Bones
explains he hasn't yet created landscapes with motion controlled
water jets or a remotely activated fire pit or fire features,
but he is excited about the possibilities in landscape design
promised by emerging technologies like motion-controlled lighting.
Most landscape designers and horticulturalists agree that such
features represent the next wave.
Of course, no discussion about Bones would be complete without
a salute to the traditional English Garden and the people who
originated them; even the name of his company, Brighton, was
taken from Britain's West Sussex tourist and day-tripping Mecca.
"I have always admired the tradition of garden design in
the UK, because there is a difference there compared to the
US. Garden Designers are revered in the UK."
Bones traces his roots to Etchingham, not far from Brighton,
where his ancestors grew hops, which probably explains why APLD
held its 2004 annual conference in London.
"I have always wanted to see where my family came from.
I contacted a professional genealogist in the UK via e-mail
and hired him to conduct searches on my family line. When I
flew into Heathrow Airport I immediately caught a train to Brighton.
The genealogist I had hired picked me up at my hotel and showed
me the church where my great-great-grandfather was christened
in 1810. I had always wanted to do this for as long as I can
remember.
As president of APLD, Bones helps landscapers deal with legislative
and other issues that affect the landscaping industry, and that
puts him in a very knowledgeable position.
"Legislative issues can be very important; most members
seem to ignore this issue until it becomes a concern in their
own state," says Bones, "then they get very interested."
While each state governs licensing and certification for architects
and engineers, no real state licensing requirements exist for
landscape designers. That's where APLD advocacy comes in. Sometimes
legislators write laws that may have a good intent, but end
up hurting the landscaping industry. The organization's lobbyist
nowmonitors legislation and helps provide industry input.
The other reason the organization exists is to help members
determine and set billing and work standards, which often vary,
based on local cost of living. Bones has been active helping
start and run APLD chapters in the various places he's lived,
to advance the industry and maintain high standards of professionalism.
A gift he shares with other successful landscape designers
is Bones love of what he does. Once in a while, he gets a chance
to really indulge those creative cravings.
"I prefer to work with residential clients that have just
built their dream home and want to finally enjoy their dream garden
and landscape, those are the most fun type clients to work with,"
Patrick explains. "The ideal situation is someone that has
seen my work and says 'here's your budget, now go to work,' however,
I always spend time with my clients and get to know them before
starting any kind of a design."
That's where he puts most of his effort. "I look at the
clothes they wear, the cars they drive, the style and architecture
of their home, the way the inside of the home is decorated,
colors, etc. Many times one learns more by observation than
by answers to questions.
"My position, as I see it, is to provide my clients with
their dream landscape. It is not 'my' landscape but theirs.
They must be happy with the final product or I am not pleased."
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